On 20 21.4.2012 and presented the i-camp/neues Theatre Munich in Munich, staged the premiere of Sebastian Blaise stage play "Woyzeck override". Together with his team to Blasius embarks on a journey to the rupture zones of Woyzeck material and is trying a new perspective on the "theater of the oppressed often text" (citing Heiner Müller) to formulate. Sigal Zouk, Ludger Lamers, Arantxa Martinez and Edward de Mont Palolier - four dancers from different cultural backgrounds - to reconstruct here the movements and ways of speaking of actresses in their incarnations of several previous productions Woyzeck staff and develop a choreography.
As what can the historic gestures of an actor will read when they reconstruct nachschreiben dancers / - in the sense that it is the material absentee? What body which identities, which produces these presences confrontation? This debate arises an archive of memories and of course the associated question of how a deal with a cultural memory is possible today.
The same course will then be asked how the performers go into it in the various fictional movement languages and compete as a contemporary parallel, subjects can. Theatrical productions are known along the existing conventions and viewing habits are questioned. Perhaps the Büchner text can thus be something back that was always ignored"Woyzeck override" is the third part of a research that deals with the ways to remember historical staging material to update and apply paint, just to thereby open the space for an actual debate. Georg Büchner's "Woyzeck" seems perfectly suited for this research to: a text that invites because of its fragmentary character to breaking point to illuminate, try out alternative and requests him to just not be read as 'social melodrama'.
Come and visit "Woyzeck override" on 20 and in 4.21.2012 i-camp/neues Theater in Munich. The team from Munich Blog wishes much fun.
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