Shinsai Killing Gods in the i-camp in MünchenZum commemorate the first anniversary of the earthquake / tsunami disaster in Japan, which occurred on 11.03.2011, which lives in Munich, Japanese-born artist collective presented by director Sato Otone of 23 until 25.03.2012 in the i-camp Munich in the charity event "Shinsai - Shattering Gods". In it, the artists deal with the disaster-related changes of mind and soul of the people of Japan. The piece uses dance, drama and texts in German and Japanese.
The Japanese dancer Mariko Yamada, who comes from the 2011 earthquake and tsunami affected region, represents the unique cultural aspects of Japan dance dar. means of Japanese aesthetics and tradition this side of the country is presented. Japanese actress Masako Ogura, by the spiritual, mental and emotional condition of the people before, during and after implementation of the disaster on 11.03.2011 in the German and Japanese.
"Shinsai / 震灾" literally means "earthquake". In "Shinsai - Shattering Gods" connotation is used, however, the gods of the murder - a further possible significance of these characters - and says "gods" in the sense of nature and the sense of a soul that is inherent in the people of Japan.
"Shinsai - Shattering Gods" is a charity event. The proceeds will be donated to the charity The Ishinomaki Disaster Recovery Assistance Council, Inc., which coordinates the operations of some 300 NGOs / NPOs in Ishinomaki. / Japan
Come and visit the charity event "Shinsai - Shattering Gods" in the period from 23 until 25.03.2012 in the i-camp Munich. The team from Munich Blog wishes much fun.
Thursday, March 22, 2012
Tuesday, March 20, 2012
Turntable Rocker-5
Whether you stand really, really, when you see going on the beat
Michi Beck and Thomilla alias "Turntablerocker" come back to Munich. In Harry Klein to 10 years after the new second album "one two" are celebrated.
A press release promises an evening filled with superlatives, superlatives:
"Slowly, no new superlatives are more - even the first meeting of the talented board Dreher Michi Beck and Thomilla together as Turntablerocker go with one of the most respected and best clubs in the city, Harry Klein, was almost exactly a year of absolute top hit. But the night birthday bash agent under the flag of this situation in November, it all did not put in the shade. Or rather, simply überbasst! Too full, too noisy, too hot - TO COOL to express it with one of Harry Klein-currency.
But this time we must be extremely excited to a new, as the turntable rockers have not only restored a lot of bass in the luggage but also on their fresh new album one two! Ten years after their last album, the two have so finally something for the native speakers in the basket of goods and send their fans with the soundtrack of a night on the trip.
'Too much emotion, too little time together with you for anything.' (One two) - if that's no announcement time! We must be sure and Michi Thomilla also make this night memorable for everyone who will be there! And so it is still memorable, be raffled at the event's all Meet at www.nachtagenten.de three signed copies of their new album! "
Time: Friday, 16 March 2012, 23 clock
Location: Harry Klein, Sun Street 8
Michi Beck and Thomilla alias "Turntablerocker" come back to Munich. In Harry Klein to 10 years after the new second album "one two" are celebrated.
A press release promises an evening filled with superlatives, superlatives:
"Slowly, no new superlatives are more - even the first meeting of the talented board Dreher Michi Beck and Thomilla together as Turntablerocker go with one of the most respected and best clubs in the city, Harry Klein, was almost exactly a year of absolute top hit. But the night birthday bash agent under the flag of this situation in November, it all did not put in the shade. Or rather, simply überbasst! Too full, too noisy, too hot - TO COOL to express it with one of Harry Klein-currency.
But this time we must be extremely excited to a new, as the turntable rockers have not only restored a lot of bass in the luggage but also on their fresh new album one two! Ten years after their last album, the two have so finally something for the native speakers in the basket of goods and send their fans with the soundtrack of a night on the trip.
'Too much emotion, too little time together with you for anything.' (One two) - if that's no announcement time! We must be sure and Michi Thomilla also make this night memorable for everyone who will be there! And so it is still memorable, be raffled at the event's all Meet at www.nachtagenten.de three signed copies of their new album! "
Time: Friday, 16 March 2012, 23 clock
Location: Harry Klein, Sun Street 8
Monday, March 19, 2012
Cabras - Butoh dance performance by Alessandro Pintus in the i-camp
Cabras PintusAm presented by Alessandro 3/16/2012 Italian dancer and choreographer Alessandro Pintus the Germany premiere of his Butoh dance performance "Cabras" in the i-camp Munich. "Dance of the feeds on life. All of us eat and we eat, we dance and we danced. "The Work" Cabras "the development of a seed in a noxious swamp theme. Midge larvae, snails and eels blind. Croaking frogs sing the orgasmic crescent moon in the reeds of a pond. A sensitive and unstable boundary that separates life and death, and united at the same time. An undefined area combines the existence of two opposing forces that pull on people and fight for their lives. The body becomes the site of an uncertain origin and is in a constant crisis. He opens up, trembling convulsively, quivers, and is inhabited by presences who question his integrity. The body is drawn from life and in all its dramatic truth while he balances between being and non-being, to the moment when the truth emerges the body's own, in shining consciousness.
The dancer is the gap between two dimensions, it becomes the boundary between inside and outside, top and bottom. The body of the dancer becomes the border area, to pass to climb and move on. The dancer becomes the meeting point between creation and Creator. Inspired for "Cabras" was Alessandro Pintus from his home in Sardinia, and the reeds at the pond of Cabras, the hometown of his maternal grandfather. He has often played as a child during the hot hours of summer days.
Alessandro Pintus began in 1996 to explore the Butoh dance in Europe and Japan. He studied with renowned teachers such as co Murobushi, Masaki Iwana, Min Tanaka, Kazuo and Yoshito Ohno and Akira Kasai. In the course of which he began his own study of Butoh, which led him back to his cultural heritage.
2011 he became the fifth International Butoh Dance Festival "eX ... iT!" Broellin loaded into the castle, which came from Yumiko Yoshioka and Delta RA'i.
Also visit the "Cabras" on 03/16/2012 in icamp in Munich. The team from Munich Blog wishes much fun.
The dancer is the gap between two dimensions, it becomes the boundary between inside and outside, top and bottom. The body of the dancer becomes the border area, to pass to climb and move on. The dancer becomes the meeting point between creation and Creator. Inspired for "Cabras" was Alessandro Pintus from his home in Sardinia, and the reeds at the pond of Cabras, the hometown of his maternal grandfather. He has often played as a child during the hot hours of summer days.
Alessandro Pintus began in 1996 to explore the Butoh dance in Europe and Japan. He studied with renowned teachers such as co Murobushi, Masaki Iwana, Min Tanaka, Kazuo and Yoshito Ohno and Akira Kasai. In the course of which he began his own study of Butoh, which led him back to his cultural heritage.
2011 he became the fifth International Butoh Dance Festival "eX ... iT!" Broellin loaded into the castle, which came from Yumiko Yoshioka and Delta RA'i.
Also visit the "Cabras" on 03/16/2012 in icamp in Munich. The team from Munich Blog wishes much fun.
Friday, March 16, 2012
Josh Pyke...http://www.blogger.com/img/blank.gif
Josh Pyke improved the original version of 'Endless Summer' from The Jezabels
Or that is what has seemed to me. Singer-songwriter Josh Pyke came a couple of weeks at Triple J Australian for redemption of a beautiful summer hit 'Endless Summer' that The Jezabels released mid last year. To carry out this cover, the author of albums like "Only Sparrows" or "Chimney's Fire" had the invaluable help of Elana Stone of The Rescue Ships, who with his accordion (and fragile vocals) gave a touch emerged the final result of the melody.
You can listen to the version below. If you like the style of Josh Pyke reproduzcáis I strongly recommend that their LPS via Spotify. The rustic profile that characterizes well worth a listen.
Or that is what has seemed to me. Singer-songwriter Josh Pyke came a couple of weeks at Triple J Australian for redemption of a beautiful summer hit 'Endless Summer' that The Jezabels released mid last year. To carry out this cover, the author of albums like "Only Sparrows" or "Chimney's Fire" had the invaluable help of Elana Stone of The Rescue Ships, who with his accordion (and fragile vocals) gave a touch emerged the final result of the melody.
You can listen to the version below. If you like the style of Josh Pyke reproduzcáis I strongly recommend that their LPS via Spotify. The rustic profile that characterizes well worth a listen.
Thursday, March 15, 2012
Wallis Bird live in 59:1
Wallis Bird at 22.03. live in 59:1 MünchenVon in the class of the Irish singer Wallis Bird, the Munich public was already convinced several times now. Each time the 29-year-old tore her fans Munich storm of excitement down. Now comes Wallis Bird on 22.03.2012 again for a concert in Munich - and to 59:1. In their luggage they had their new self-titled album. What makes this artist so special? The UK Guardian says: "Her humor and her brazen honesty."
Unlike many of the media-acclaimed singer / songwriters that are discarded each year purged as new discoveries on the beach and the quicker return to the open sea, has Wallis Bird a large dose of authenticity and individuality, which they before the "One Hit Wonder "floods preserved. The now lives in Brixton / London two-time winner of the Irish Music Awards (Meteor Awards) has a broad musical spectrum. Wallis Bird whispers, she shrieks, she is fragile and it can even be angry.
Wallis Bird at 22.03. live in 59:1 in Munich
Wallis Bird - Photo: Jens Oellermann
After they played last summer in the biggest European festivals (including Rock En Seine, Lowlands, Pukkelpop, Montreux Jazz Festival, Frequency, Oxegen) and celebrated by the French daily newspaper Le Monde as one of the discoveries of the year, it has the rest of the year withdrawn to work on their new, third album. This self-titled album was released on 9/3/2012 at her own label. The album consists of eleven songs of the beam energy was taken up both in their native Ireland and in London and Berlin, and produced.
Wallis who has ever seen live, know that here is a passionate performer at work. No string is safe from her, not a bloody finger to deter them from offering its audience a hell of a show - including collective sing. Wallis's loyal fans will thank you at every concert with relentless chants.
Incidentally, the opening act of the Irish songwriter is to see Aidan. His style: folk-rock. Aidan's solo debut is expected in 2012.
Also visit the Wallis Bird concert on 3/22/2012 at 59:1 in Munich.
Unlike many of the media-acclaimed singer / songwriters that are discarded each year purged as new discoveries on the beach and the quicker return to the open sea, has Wallis Bird a large dose of authenticity and individuality, which they before the "One Hit Wonder "floods preserved. The now lives in Brixton / London two-time winner of the Irish Music Awards (Meteor Awards) has a broad musical spectrum. Wallis Bird whispers, she shrieks, she is fragile and it can even be angry.
Wallis Bird at 22.03. live in 59:1 in Munich
Wallis Bird - Photo: Jens Oellermann
After they played last summer in the biggest European festivals (including Rock En Seine, Lowlands, Pukkelpop, Montreux Jazz Festival, Frequency, Oxegen) and celebrated by the French daily newspaper Le Monde as one of the discoveries of the year, it has the rest of the year withdrawn to work on their new, third album. This self-titled album was released on 9/3/2012 at her own label. The album consists of eleven songs of the beam energy was taken up both in their native Ireland and in London and Berlin, and produced.
Wallis who has ever seen live, know that here is a passionate performer at work. No string is safe from her, not a bloody finger to deter them from offering its audience a hell of a show - including collective sing. Wallis's loyal fans will thank you at every concert with relentless chants.
Incidentally, the opening act of the Irish songwriter is to see Aidan. His style: folk-rock. Aidan's solo debut is expected in 2012.
Also visit the Wallis Bird concert on 3/22/2012 at 59:1 in Munich.
Friday, March 9, 2012
Unreleased tracks from Eddie Vedder, Bono and Beck in the same charity compilation
Christy Turlington Burns is a model who has spent years in front of "Every Mother Counts", a charity that is helping to reduce the high rate of stillbirths that exists on our planet. This year, with the intention of raising funds to invest in a good cause, Christy has led a musical project that will delight more than one. This project, or rather drive, is "Every Mother Counts Vol.2", the second edition of a compilation that will contain issues relevant bands and artists such as Coldplay, Eddie Vedder, Bono, Dave Matthews Band, Seal and Diana Krall.
Beyond the direct Coldplay Dave Matthews or it should be noted the emergence of several new songs that will give the category of "collectors" to this release will be distributed through the chain Starbucks. We are talking about the acoustics 'Original Of The Species' by Bono and The Edge, 'Skipping' Eddie Vedder 'Pretty Day' by Paul Simon and Edie Brickell, 'Corrina, Corrina' Beck and four or five cuts. Despite the obvious interest of the content of this album still have to wait until May 1 to discover the ultimate singer of Pearl Jam or U2. There will be quiet (and I expect to pass filter one of the two items above).
List of topics of "Every Mother Counts. Vol II ':
1.Bono and the Edge - Original of the Species (acoustic) *
2.Eddie Vedder - Skipping *
3.Paul Simon and Edie Brickell - Pretty Day *
4.Faith Hill - Wish for You
5.Sade - The Sweetest Gift
6.Lauryn Hill - I Remember
7.Rita Wilson - Baby I'm Yours *
8.Diana Krall - Do not Fence Me In *
9.Seal - Secret
10.Dave Matthews Band - Sister (live) *
11.Sting - Fragile
12.Alanis Morissette - Magical Child *
13.Edward Sharpe & the Magnetic Zeros - Mother *
14.David Bowie - Everyone Says 'Hi'
15.Cedella Marley - Get Up Stand Up *
16.Beck - Corrina, Corrina *
17.Rufus Wainwright - Instead of the Dead
18.Patti Smith - Somalia *
19.Coldplay - Yellow (acoustic) *
Beyond the direct Coldplay Dave Matthews or it should be noted the emergence of several new songs that will give the category of "collectors" to this release will be distributed through the chain Starbucks. We are talking about the acoustics 'Original Of The Species' by Bono and The Edge, 'Skipping' Eddie Vedder 'Pretty Day' by Paul Simon and Edie Brickell, 'Corrina, Corrina' Beck and four or five cuts. Despite the obvious interest of the content of this album still have to wait until May 1 to discover the ultimate singer of Pearl Jam or U2. There will be quiet (and I expect to pass filter one of the two items above).
List of topics of "Every Mother Counts. Vol II ':
1.Bono and the Edge - Original of the Species (acoustic) *
2.Eddie Vedder - Skipping *
3.Paul Simon and Edie Brickell - Pretty Day *
4.Faith Hill - Wish for You
5.Sade - The Sweetest Gift
6.Lauryn Hill - I Remember
7.Rita Wilson - Baby I'm Yours *
8.Diana Krall - Do not Fence Me In *
9.Seal - Secret
10.Dave Matthews Band - Sister (live) *
11.Sting - Fragile
12.Alanis Morissette - Magical Child *
13.Edward Sharpe & the Magnetic Zeros - Mother *
14.David Bowie - Everyone Says 'Hi'
15.Cedella Marley - Get Up Stand Up *
16.Beck - Corrina, Corrina *
17.Rufus Wainwright - Instead of the Dead
18.Patti Smith - Somalia *
19.Coldplay - Yellow (acoustic) *
Tuesday, March 6, 2012
Ballet Revolución in the Circus Krone in Munich
The Circus Krone Munich Ballet presents the dance sensation RevoluciónDiesen summer it is really hot in the Circus Krone, and the summer not only because of temperatures, but above all thanks to the Cuban-inspired dance revolution (and evolution) Ballet Revolución. From 03.07. until 08.07.2012 Ballet Revolución will also perform at the Circus Krone in Munich and presents the eight performances, indulge in some of the world's most talented classical and contemporary dancers of Latin music, hip-hop and R & B. Here is a brilliant mix ballet, contemporary dance and powerful street dance to an explosive and intense performance full of sensuality, impressive athleticism and sheer power.
In Ballet Revolución unloads a real fireball of emotion and energy, fueled by the spectacular Ballet Revolución live band. These plays No. 1 international hits by Beyoncé, Shakira, J. Lo, Ricky Martin, Enrique Iglesias and many others. This is a dance revolution and evolution at the same time that breaks all the viewers from their seats. It was different at the end of February, not Germany premiere at the Berlin Admiralty. In the audience there were many celebrities who were enthusiastic across the board. In the words Uwe Ochsenknecht afterwards: "I think it's sensational. ! A supergroup, "while Rolf Scheider literally fell into raptures:" Hot, hot, hot - the power of Cuba. . Really great music, "And Claudia Wenzel was entirely of his opinion:" I am totally impressed. Class dancers, zest for life! Never wants to dance to - it's a hit! "
Jorge Gonzalez of Germany's Next Top Model designed the costumes for the ballet Revolution
Costume designer Jorge Gonzalez (center) - photo: www.ballet-revolucion.de
The euphorically celebrated the world premiere of the red-hot show ballet Revolution took place in Australia. There, the press raved about in glowing terms. The Australian wrote: "An irresistible Cuban cocktail unbridled sensuality" and the Sunday Telegraph had nothing but praise: "boundless energy, passion, athleticism and a contagious joy" And really shine in Ballet Revolución some of the best dancers from the legendary State Dance Academy Cuba and the most prestigious dance companies in the country with ardent emotion and uncompromising dynamics.
Such a super show of course on a world tour - and so are we in Germany are able to enjoy this spectacle. The new and the premiere in Berlin for the first time presented the dance costumes were sensational way, designed by Jorge Gonzalez. The catwalk coach, choreographer, designer and audience favorite of the TV show 'Germany's Next Top Model' suits Ballet Revolución as good as platform shoes on his feet and represents a real enrichment of the creative teams dar.
The Circus Krone Munich Ballet presents the dance sensation Revolución
Come and visit the Revolution Ballet - an innovative style and genre mix that leaves no one cold: a fascinating, exciting, sensual! From 03.07. 08/07/2012 to eight times at the Circus Krone in Munich. The team from Munich Blog wishes much fun.
In Ballet Revolución unloads a real fireball of emotion and energy, fueled by the spectacular Ballet Revolución live band. These plays No. 1 international hits by Beyoncé, Shakira, J. Lo, Ricky Martin, Enrique Iglesias and many others. This is a dance revolution and evolution at the same time that breaks all the viewers from their seats. It was different at the end of February, not Germany premiere at the Berlin Admiralty. In the audience there were many celebrities who were enthusiastic across the board. In the words Uwe Ochsenknecht afterwards: "I think it's sensational. ! A supergroup, "while Rolf Scheider literally fell into raptures:" Hot, hot, hot - the power of Cuba. . Really great music, "And Claudia Wenzel was entirely of his opinion:" I am totally impressed. Class dancers, zest for life! Never wants to dance to - it's a hit! "
Jorge Gonzalez of Germany's Next Top Model designed the costumes for the ballet Revolution
Costume designer Jorge Gonzalez (center) - photo: www.ballet-revolucion.de
The euphorically celebrated the world premiere of the red-hot show ballet Revolution took place in Australia. There, the press raved about in glowing terms. The Australian wrote: "An irresistible Cuban cocktail unbridled sensuality" and the Sunday Telegraph had nothing but praise: "boundless energy, passion, athleticism and a contagious joy" And really shine in Ballet Revolución some of the best dancers from the legendary State Dance Academy Cuba and the most prestigious dance companies in the country with ardent emotion and uncompromising dynamics.
Such a super show of course on a world tour - and so are we in Germany are able to enjoy this spectacle. The new and the premiere in Berlin for the first time presented the dance costumes were sensational way, designed by Jorge Gonzalez. The catwalk coach, choreographer, designer and audience favorite of the TV show 'Germany's Next Top Model' suits Ballet Revolución as good as platform shoes on his feet and represents a real enrichment of the creative teams dar.
The Circus Krone Munich Ballet presents the dance sensation Revolución
Come and visit the Revolution Ballet - an innovative style and genre mix that leaves no one cold: a fascinating, exciting, sensual! From 03.07. 08/07/2012 to eight times at the Circus Krone in Munich. The team from Munich Blog wishes much fun.
Friday, March 2, 2012
Electrifying: Next door - The Vibrator Play
Obscenity in the venerable rococo kitsch frame on the stage of Cuvilliéstheaters? That sounds tempting, contrasts are ultimately great, if they are productive uses. But that they also fixed and can be flattened down, has it turned out, unfortunately, in the course of the performance.
Sarah Ruhls piece next door - The Vibrator Play (. Premiere: 26.2 Director: Barbara Weber) makes hysteria on stage. The woman was suffering a boom in the late 19 Century is here and cast together with the traditional gender roles in the form of a loose comedy. There are the sickly-pale wives of the wealthy bourgeoisie, are bored, diagnosed with this strange disease of the womb is (hysteria of Greek hystera - uterus), misunderstood, worried by their more or less men, who as a representative of the spirit and the scientific method that defect fix to be desired - but they suffer unbearable with their loved ones. Of course, even the extroverted type of artist (quite casually: Miguel Abrantes Ostrowski) is not missing, who is hysterical as the division of roles - where the disease will come too, so without a uterus? And then there's the maid, black, low-earning and SO of course, that it is still too real sexual feelings in the situation (and modestly believe in God in marriage, of course).
Next door - The Vibrator Play is a game between men and women, between inside and outside, naturalness and sophistication, health and disease ... a sampling of the figure of binary oppositions. Unfortunately, this finding does not follow the Gegenteiligkeiten deconstruction, so that one has after the evening while leaving the theater, quite delighted, but not really gained a new perspective on people and their relationships to each other. The contrasts begin in the interior design (scene Janina Audick): a turn of the century interior with large windows overlooking the park behind, with the interior itself is further subdivided, and this is also taken up in the dark to light colors. The living room with dark hangings and piano, a white circular bench made of leather and tea table and the working area of the practitioner with a bright Fließung, bunk, sink and all kinds of medical Geräschaften. It is the laboratory, the "next room" separated by a door from the living room and the wife of the doctor as far as possible not to enter. No wonder that the doctor working at home and away and can hardly left little time or affection for his lover has.
The proper and highly professional Mr. Givings (typical man: Norman Hacker) treated hysterical women - through the miracle vibrator unit (which looks here like a hair dryer with a rotating brush attachment) and the amazing power of electricity. The disease, which manifests itself in paleness, insomnia, light sensitivity, seizures, shortness of breath and fainting spells, is attributed to an imbalance in the body's own juices. Be executed through clitoral stimulation from the vibrator caused a contraction of the uterus to release the excess juice and take care of recovery. Throughout the course, strictly under the protection of privacy! As far as the historical facts. Is that the hysteria a causeless, mental illness, whose symptoms of the treatment tables disappeared again, as it had appeared that these symptoms diagnosed by society and bring about spoken were, were also from the male gaze projected into the women, the staging is hardly dar.
The closeness of the place as the consistency of the characters is not broken in the course of action. However, one missing in the piece that joins to orgasm orgasm, something like a climax tapered voltage curve. On vibratöse treatments tea party, or vice versa, then in between times just the hysterical artist, the screaming baby, the natural eye. And here and there like a musical put forward songs of the protagonists, which fit only moderately well with the overall picture, since there is no voltage operation, the delay could be this. The action takes place without great conflicts, episodes are strung together - the construction seems similar to the registered female desire: women can even run forever, and never experienced a climax, no, but several that run in waves through the body, such as one (s) it describes so much.
Only the patient, Mrs. Daldry (playful and funny: Caroline Conrad) seems to be a transformation take place to, but not caused by Mr. Givings' electronic vibrator treatment, but the manual treatment of his assistant Annie (correctly and smartly: Katharina Pichler) - women approach each other, make friends, and discover in the course of the play step by step, their desire for each other. Mrs. Daldry's recovery is also reflected in their clothing (costume, Tabitha Brown) - occurs the first time they are in the turn of the century dress with flaring Tournürenrock, wearing them the next time already a fußfreien, tight-fitting skirt and the last time even trousers. However, what kostümlich remains constant, the dangerously high heels, which she teeters on the stage - she remains in it but the defenseless victims of female (ever tried to take in high heels to escape?) And fetish object No. 1 of the male desire.
Mrs. Givings (an overwound Hanna disc, when you look at is not quite sure if the hysterical fits now for the piece include or not ...), always happy, but if a lack of employment and care by their values husbands bored married and a housewife interested, of course, burning for what her husband was driving with his Patient_Innen as the "room next door," she hears it again and again moaning and screaming and not even then only if she is listening at the keyhole. While she wants to convince him of experiments on her, he denied this, the seemly for a scientist not, but it is also healthy. Sly and cunning she gives with Mrs. Daldry in the absence of her husband's admission to practice and test the device. Both prepares the prospective fun, quite the opposite of the sterile running sessions of her husband. However, they will find out in conversation that their feelings are very different, so of course a third party must be consulted. Nurse and maid Elizabeth (. Thelma Buabeng, which can be summed up in this turbulence is nothing out of the rest) eröffent finally, that the descriptions of the ladies sound like it, as what they feel while having sex with her husband - what piqued the ladies conflict can be: the man comes to bed, then he was very delicate, and she slept most of anyway, but it is definitely not the way this type of treatment.
If the device has at least one effect, then, that women find so their sexuality - but secretly, without the knowledge or permission of the man. But rather than explain to the men as superfluous and drawn with the wonderful vibrator by Dannen, the action falls back towards the end, the ideal of romantic and idealized, natural love: Mr. and Mrs. Givings their desire to summon up again and disappear into the garden, to make love. The artist is also hysterical healed, probably true, but unrequited love for his new muse, the nurse, Elizabeth - he as a married woman but she can not have it, he pulls away to Paris (with the replacement of the unfortunate men anal vibrato). Elizabeth announced to her position as nurse to spend more time with husband and family.
A sentimental tribute to true love in times of cyborgs, computer sex and hardcore pornography.
Who wants to spend an entertaining evening with not too heavy food from the menu of contemporary drama may well dare to visit. The humor is not obscene, but not too deeply, to enjoy themselves well, the actors seem at least to have fun on the thing and the meaning of flooding, as practiced by the postmodern theater quite like, is missing. After all, the piece bears its part to sexuality and to be able to see the resulting conflicts with humor.
However, anyone who is more interested in gender theory and gender roles, will take from the piece rather little. Which is a reading of Judith Butler, for example, or sexual material Beatriz Preciados counterpoint manifesto to heart.
Sarah Ruhls piece next door - The Vibrator Play (. Premiere: 26.2 Director: Barbara Weber) makes hysteria on stage. The woman was suffering a boom in the late 19 Century is here and cast together with the traditional gender roles in the form of a loose comedy. There are the sickly-pale wives of the wealthy bourgeoisie, are bored, diagnosed with this strange disease of the womb is (hysteria of Greek hystera - uterus), misunderstood, worried by their more or less men, who as a representative of the spirit and the scientific method that defect fix to be desired - but they suffer unbearable with their loved ones. Of course, even the extroverted type of artist (quite casually: Miguel Abrantes Ostrowski) is not missing, who is hysterical as the division of roles - where the disease will come too, so without a uterus? And then there's the maid, black, low-earning and SO of course, that it is still too real sexual feelings in the situation (and modestly believe in God in marriage, of course).
Next door - The Vibrator Play is a game between men and women, between inside and outside, naturalness and sophistication, health and disease ... a sampling of the figure of binary oppositions. Unfortunately, this finding does not follow the Gegenteiligkeiten deconstruction, so that one has after the evening while leaving the theater, quite delighted, but not really gained a new perspective on people and their relationships to each other. The contrasts begin in the interior design (scene Janina Audick): a turn of the century interior with large windows overlooking the park behind, with the interior itself is further subdivided, and this is also taken up in the dark to light colors. The living room with dark hangings and piano, a white circular bench made of leather and tea table and the working area of the practitioner with a bright Fließung, bunk, sink and all kinds of medical Geräschaften. It is the laboratory, the "next room" separated by a door from the living room and the wife of the doctor as far as possible not to enter. No wonder that the doctor working at home and away and can hardly left little time or affection for his lover has.
The proper and highly professional Mr. Givings (typical man: Norman Hacker) treated hysterical women - through the miracle vibrator unit (which looks here like a hair dryer with a rotating brush attachment) and the amazing power of electricity. The disease, which manifests itself in paleness, insomnia, light sensitivity, seizures, shortness of breath and fainting spells, is attributed to an imbalance in the body's own juices. Be executed through clitoral stimulation from the vibrator caused a contraction of the uterus to release the excess juice and take care of recovery. Throughout the course, strictly under the protection of privacy! As far as the historical facts. Is that the hysteria a causeless, mental illness, whose symptoms of the treatment tables disappeared again, as it had appeared that these symptoms diagnosed by society and bring about spoken were, were also from the male gaze projected into the women, the staging is hardly dar.
The closeness of the place as the consistency of the characters is not broken in the course of action. However, one missing in the piece that joins to orgasm orgasm, something like a climax tapered voltage curve. On vibratöse treatments tea party, or vice versa, then in between times just the hysterical artist, the screaming baby, the natural eye. And here and there like a musical put forward songs of the protagonists, which fit only moderately well with the overall picture, since there is no voltage operation, the delay could be this. The action takes place without great conflicts, episodes are strung together - the construction seems similar to the registered female desire: women can even run forever, and never experienced a climax, no, but several that run in waves through the body, such as one (s) it describes so much.
Only the patient, Mrs. Daldry (playful and funny: Caroline Conrad) seems to be a transformation take place to, but not caused by Mr. Givings' electronic vibrator treatment, but the manual treatment of his assistant Annie (correctly and smartly: Katharina Pichler) - women approach each other, make friends, and discover in the course of the play step by step, their desire for each other. Mrs. Daldry's recovery is also reflected in their clothing (costume, Tabitha Brown) - occurs the first time they are in the turn of the century dress with flaring Tournürenrock, wearing them the next time already a fußfreien, tight-fitting skirt and the last time even trousers. However, what kostümlich remains constant, the dangerously high heels, which she teeters on the stage - she remains in it but the defenseless victims of female (ever tried to take in high heels to escape?) And fetish object No. 1 of the male desire.
Mrs. Givings (an overwound Hanna disc, when you look at is not quite sure if the hysterical fits now for the piece include or not ...), always happy, but if a lack of employment and care by their values husbands bored married and a housewife interested, of course, burning for what her husband was driving with his Patient_Innen as the "room next door," she hears it again and again moaning and screaming and not even then only if she is listening at the keyhole. While she wants to convince him of experiments on her, he denied this, the seemly for a scientist not, but it is also healthy. Sly and cunning she gives with Mrs. Daldry in the absence of her husband's admission to practice and test the device. Both prepares the prospective fun, quite the opposite of the sterile running sessions of her husband. However, they will find out in conversation that their feelings are very different, so of course a third party must be consulted. Nurse and maid Elizabeth (. Thelma Buabeng, which can be summed up in this turbulence is nothing out of the rest) eröffent finally, that the descriptions of the ladies sound like it, as what they feel while having sex with her husband - what piqued the ladies conflict can be: the man comes to bed, then he was very delicate, and she slept most of anyway, but it is definitely not the way this type of treatment.
If the device has at least one effect, then, that women find so their sexuality - but secretly, without the knowledge or permission of the man. But rather than explain to the men as superfluous and drawn with the wonderful vibrator by Dannen, the action falls back towards the end, the ideal of romantic and idealized, natural love: Mr. and Mrs. Givings their desire to summon up again and disappear into the garden, to make love. The artist is also hysterical healed, probably true, but unrequited love for his new muse, the nurse, Elizabeth - he as a married woman but she can not have it, he pulls away to Paris (with the replacement of the unfortunate men anal vibrato). Elizabeth announced to her position as nurse to spend more time with husband and family.
A sentimental tribute to true love in times of cyborgs, computer sex and hardcore pornography.
Who wants to spend an entertaining evening with not too heavy food from the menu of contemporary drama may well dare to visit. The humor is not obscene, but not too deeply, to enjoy themselves well, the actors seem at least to have fun on the thing and the meaning of flooding, as practiced by the postmodern theater quite like, is missing. After all, the piece bears its part to sexuality and to be able to see the resulting conflicts with humor.
However, anyone who is more interested in gender theory and gender roles, will take from the piece rather little. Which is a reading of Judith Butler, for example, or sexual material Beatriz Preciados counterpoint manifesto to heart.
Thursday, March 1, 2012
Steve Miller Band live at Circus Krone in Munich
The Circus Krone in Munich, presented in October 2012, the Steve Miller BandNach 17 years without publication of a studio album brought the Steve Miller Band in June 2010, her last work, "Bingo!" On the market. On 30/10/2012, the five old men of rock 'n' roll songs from this album as well as many of their classics at the Circus Krone in Munich, will present live. For over four decades, the Steve Miller Band is an integral part of almost every classic rock radio playlist. With countless number one hits and anthems like "The Joker", "Abracadabra", "Rock'nMe," "Fly Like an Eagle", "Jungle Love" and "Jet Airliner", the band was never out of fashion, selling some 30 million records worldwide and is led by blues-rock fans across the planet under the title 'most valuable'.
Steve Miller - singer, guitarist and namesake of the band - has learned from icons of pop music history: At the age of five, he met with Les Paul, a close friend of the family. This taught him the first chords and encouraged the young artist: "Steve, you're gonna go far." T-Bone Walker taught the dedicated guitarists playing single-line solos. Not the worst conditions in order to specifically work on a career as a musician. And that's what he did. After the first big gig at the legendary Monterey International Pop Festival in 1967 and the consequent beginning of this exceptional career seemed the creative output of the band to know no bounds. With more than twenty long-play record releases and countless hits include the Steve Miller Band without doubt one of the most influential formations of rock and pop history.
The Circus Krone in Munich, presented in October 2012, the Steve Miller BandMit "Bingo!" Volunteered the Steve Miller Band recently returned also to the record store. The album was recorded at George Lucas' studios at Skywalker Ranch in California. A futuristic yet so traditional place for a blues-rock album. Together with his long-time colleague Andy Johns (Rolling Stones, Led Zeppelin), Steve Miller produced his musical autobiography. The tracks that found their way to "bingo!" Are all classics. Classics on the one hand, because they are cover versions from artists like Jimmy Reed, BB King and Jimmy Vaughn is. Classics on the other hand, because the Steve Miller Band songs that for years presented in their live show.
More than a quarter of a century did it, but in October there is the Steve Miller Band is finally back on stage in Germany and will play three exclusive concerts in Frankfurt, Munich and Berlin. Based on the highly successful U.S. tour, the band master, including two hours - rock the local theaters - with no support and no frills. A unique opportunity for die-hard fans and those who will be there for sure after the shows.
Come and visit the Steve Miller Band concert on 30.10.2012 in the Circus Krone in Munich. The team from Munich Blog wishes much fun.
Steve Miller - singer, guitarist and namesake of the band - has learned from icons of pop music history: At the age of five, he met with Les Paul, a close friend of the family. This taught him the first chords and encouraged the young artist: "Steve, you're gonna go far." T-Bone Walker taught the dedicated guitarists playing single-line solos. Not the worst conditions in order to specifically work on a career as a musician. And that's what he did. After the first big gig at the legendary Monterey International Pop Festival in 1967 and the consequent beginning of this exceptional career seemed the creative output of the band to know no bounds. With more than twenty long-play record releases and countless hits include the Steve Miller Band without doubt one of the most influential formations of rock and pop history.
The Circus Krone in Munich, presented in October 2012, the Steve Miller BandMit "Bingo!" Volunteered the Steve Miller Band recently returned also to the record store. The album was recorded at George Lucas' studios at Skywalker Ranch in California. A futuristic yet so traditional place for a blues-rock album. Together with his long-time colleague Andy Johns (Rolling Stones, Led Zeppelin), Steve Miller produced his musical autobiography. The tracks that found their way to "bingo!" Are all classics. Classics on the one hand, because they are cover versions from artists like Jimmy Reed, BB King and Jimmy Vaughn is. Classics on the other hand, because the Steve Miller Band songs that for years presented in their live show.
More than a quarter of a century did it, but in October there is the Steve Miller Band is finally back on stage in Germany and will play three exclusive concerts in Frankfurt, Munich and Berlin. Based on the highly successful U.S. tour, the band master, including two hours - rock the local theaters - with no support and no frills. A unique opportunity for die-hard fans and those who will be there for sure after the shows.
Come and visit the Steve Miller Band concert on 30.10.2012 in the Circus Krone in Munich. The team from Munich Blog wishes much fun.
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